Monthly Archives: March 2014

All I have is a voice

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Cobweb and Rust 5 @sedsemperamor March 2014

Cobweb and Rust 5
@sedsemperamor
March 2014

“If you are silent about your pain, they’ll kill you and say you enjoyed it.”

Zora Neale Hurston

There are voices that can be heard halfway round the world; voices that cannot be ignored; voices that will be heard in any language; voices that reach deep inside and squeeze our bloody hearts. There are voices that only need to whisper our name, cry out in pain or ask for our help and we will immediately drop everything and run – voices that we love, voices that we need , voices that we fear, voices that we do not understand. A certain voice speaks and we are repelled. Another voice speaks and we are compelled to listen.

The human voice consists of sound made using the vocal folds for talking, singing, laughing, crying, screaming, whispering and so on. The tone of voice can be modulated to covey emotions such as anger, surprise or happiness.

“Thus I spoke, more and more softly; for I was afraid of my own thoughts and the thoughts behind my thoughts.”
Friedrich Nietzsche

The sound of each individual’s voice is entirely unique not only because of the actual shape and size of an individual’s vocal cords but also due to the size and shape of the rest of that person’s body, especially the vocal tract, and the manner in which the speech sounds are habitually formed and articulated.

Humans have vocal folds that can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of chest and neck, the position of the tongue, and the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body, and an individual’s size and bone structure can affect somewhat the sound produced by an individual.

“The most courageous act is still to think for yourself. Aloud.”
Coco Chanel

Research from the University of Glasgow suggests that people take less than a second to form an impression of someone’s personality based on their voice alone. “You had me at, ‘Hello.'” seems to be a scientific fact.

A thought, a breath, a word. Our thoughts, our breath, our words, our lives, our stories, ourselves.

Voix Mortes

Through gaping wounds of silence

The dead speak

Their thick spittle solidifies

Between the cracks of wasted minutes;

In empty mouths, the vowels roll

Grains of mountain, millstone, molehill

To inert powder of unspoken ambition;

Fantastical forms drip from long, lonely nightlights

And pool – electrifying – in empty sockets

Dead voices cannot lie: they have no tongues;

They cannot shout: they have no mouths;

They cannot whisper: they have no lips

Only a mortgage of mortal memories remains:

A void of hushed human vibration

In breathless, kissing caress

Spinning slowly, seamlessly towards

A vortex of final ultimatums, underworld finales,

Yawning, lacerated monologues –

Mute gash of mutilated truth

@sedsemperamor

February 2014

Don’t remain silent. Make your voice heard.

 

 

 

Encountering Corpses

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Photograph by Paul Koudounaris

Photograph by Paul Koudounaris

As part of the ‘Encountering Corpses’ event, the Institute  of Humanities and Social Science Research at Manchester Metropolitan University proudly presents an exclusive exhibition of photography and community art!

And yes, dear reader, I am one of those artists!

Friday 28th March – Thursday 10th April 2014

 @ Sacred Trinity Church

Chapel Street, Salford, M3 5DW

The church is conveniently located just off Deansgate, very close to Manchester city centre.

Viewing daily Monday to Friday from 12noon – 4pm.

Weekend viewing to be confirmed (dependent on Church timetable).

The exhibition has three interleaved elements, evoking of death, contemplation and empathy.

Firstly, Paul Koudounaris will be exhibiting 12 large-scale photographs from his two books Heavenly Bodies: Cult treasures and Spectacular Saints from the Catacombs and The Empire of Death: A Cultural History of Ossuaries and Charnel Houses This is the very first exhibition of Paul’s work outside North America! Paul has a PhD in Art History from UCLA and specializes in the visual culture of death. His more global study of decoration is scheduled for a 2014 release under the title Memento Mori.

http://empiredelamort.com/

Photograph by Sue Fox

Photograph by Sue Fox

 

Secondly, MMU’s Sue Fox will be exhibiting a series of photographs from work undertaken for her book Post Mortem. For this work, Sue gained unparalleled access to autopsies, mortuaries and crematoria in Manchester. Featuring work which has never previously been exhibited, this will be a rare chance to experience these haunting and thought provoking works first hand.

Sue Fox is known for her taboo images of the dead in a three part television series called Vile Bodies, on contemporary and international photographers in 1997 & 2000. Sue is currently working on new photographic images about ‘the visceral body’ and a series on ‘abandoned buildings’ exploring the peripheries of access points.

http://www.art.mmu.ac.uk/profile/sfox

Finally, as a counterpoint to the professional photography, there will be responsive pieces from local community artists – hello! – who will reflect on the themes of the exhibition from a variety of perspectives. Intrinsic to the Encountering Corpses events is a sense that we can grow as living beings through our encounters with the dead. To illustrate this theme, community artists will be presenting a series of their own new and original art works, inspired by death, burial and dead bodies in art and other cultural spaces.

I shall be presenting some of the poems from my collection, ‘Corpse Collective’. I would be delighted if you would join me.

“Pulvis et umbra sumus.”

‘We are but dust and shadow.’

                                Horace